Matt Penman – Bass

Originally from New Zealand, Matt Penman moved to the U.S in 1994 to attend Berklee College of Music, and in 1995 to New York, where he maintains an international performing, recording and teaching schedule as one of jazz music’s most in-demand bassists.

He is an established member of the SFJazz Collective, an 8-piece composers’ collective devoted to presenting the original works of its members as well as arrangements of the jazz greats’ oeuvre. The Collective features some of the finest composer/improvisers on the scene, including David Sanchez, Warren Wolf and Miguel Zenon.

In 2009, Matt founded a collaborative quartet with Joshua Redman, Aaron Parks and Eric Harland called James Farm. The band released their debut album in 2011 on Nonesuch Records.

In addition to his main projects, Matt performs regularly in Nils Wogram’s Root 70, and in trio with Aaron Goldberg.  Other notable collaborators have included John Scofield, Joe Lovano, Wayne Shorter, Kurt Rosenwinkel, Kenny Werner, Dave Douglas, Chris Cheek, Seamus Blake, Wolfgang Muthspiel, Guillermo Klein, Rebecca Martin, Nicholas Payton, Fred Hersch and Madeleine Peyroux.

As a teacher, Matt has led workshops throughout Europe, and was an Artist- in- Residence at the Brubeck Institute in Stockton, California. He was also on the faculty of the 2009 Banff Workshop for Creative and Improvised Music, and recently became part of the faculty of the new Roots, Jazz and American Music program at the San Francisco Conservatory of Music.

Matt’s projects as a band-leader include the co-led album ‘Flipside’ (Naxos, 1998), ‘The Unquiet’ (2001) and ‘Catch of the Day’ (2008), both on the Barcelona label Fresh Sound, as well as 2018’s ‘Good Question’ on Sunnyside. He is featured on well over 100 recordings on various labels.

This is a partial transcription that I did because I wanted to see where the arrangement went – I am not sure if the SFJAZZ album version is the same one but this video on YouTube was the version I used. I assume there is minimal difference as the bass part is mostly an arranged part as it mostly double the pianist’s left hand. This is the Miguel Zenon arrangement of Stevie Wonder’s ‘Superstition’. If you haven’t heard it, the SFJAZZ Collective album of Stevie Wonder tunes is stunning and well worth seeking out.